IDK, I drop a lot of references, and some of them are pretty obscure.
Just recently, the
Fay PoV chapters in Lusty Magical Academy's Boarbristle Academy have touched the Tibetan Buddhist rite of
Chōd, the Egyptian afterlife servant dolls called
ushabti (or
shabtim, plural), and Boarbristle Academy generally takes bits and pieces out of revivalist wicca and ceremonial magic.
Marvin Kaye's
The Incredible Umbrella makes it into
Alexander Halladay's storyline in Boarbristle Academy as his father's substitute for a flying broom, though you could take it as Mary Poppins if you would. (I had bet René Magritte had a flying-with-umbrella painting, but this ended up being a near miss, probably me remembering
Golconda where it's raining men in bowler hats, as well as Magritte's umbrella, with its blue-skies-and-puffy-clouds canopy on the holder's side, under the black fabric top).
Like
@brevdravis, I'm not above a little Discordianism here and there, but I haven't yet had a chance to work in "Sink" or "Gourdfest" or "The Law of Fives".
"sinuous Geissler tubes" in the first chapter of steampunk (steam-gloom?)
Lucy's Portion refers to an early version of neon fluorescent tubes whose name I heard in Jules Verne's Journey to the Center of the Earth.
The Women's Pleasure Circles hosted by
Joyce Bernstein in When the Cat's Away (
content: swinging, incest, male bi) are a lift from Betty Dodson's workshops (real life pleasure activist) but Joyce is an author/activist/educator while Betty is an author/activist/fine artist, and they're physically and temperamentally very different.