@8inchesandcounting First off, I want to congratulate you on the work so far with your games, you've obviously put a fair amount of work into not just the number of chapters, but setting up the link chapters and variables to work correctly, and it shows in a smooth gameplay experience. If I had a quibble with the gameplay elements of any particular story,
The Brothel has an odd thing where it tracks "Females Fucked" and "Women Fucked" separately - not sure if that's intentional - and there's a double-Virgin variable that gets flagged around the Elven Bartender.
You also have quite a number of images in
The Heir - that isn't necessarily bad, especially when you're introducing a cast of characters, but it can get repetitive when restarting. I wouldn't recommend you change it at this point, but maybe if you do a future game have a separate "Cast of Characters" chapter or "Take a look at your cousin" chapter which then loops back to the main storyline, so those who want to skip the images can.
Obviously you've put a lot of time and effort into attention to detail, right down to adding little warnings about what's involved with certain choices - perfectly legitimate design decision, and one I've debated on...some people think it ruins the surprise, but I think you handle it fairly well.
Writing criticism - you've got a few chapters that are really short. I'm looking at chapters like
Women's dorms[/quote] which are less than 100 words. I appreciate that these are essentially probably spacer chapters, but they still feel pretty perfunctory. In a hardcopy Choose Your Own Adventure book the sections can be incredibly brief because you're busy flipping back and forth and the reading level is usually pretty low to begin with, but in a story for adults where pace and size are less an issue, it wouldn't kill you to expand on things a little...add a bit more detail and description to the scene, who is there, how the main character is feeling, etc.
One issue with your style you may want to work on is pronoun repetition. I really noticed this in [url=https://chyoa.com/chapter/Fuck-the-frozen-lesbian-duo.514895]Fuck the frozen lesbian duo, but it's apparent in other chapters as well. Some of your text in that chapter reads:
You fill her ass with quite possibly the biggest load you've blown since the end of that fortnight you had once went without masturbating as a teenager. You cream and cream her insides, coating her ass with what seems to be a liter of sticky cum. You collapse into her, pushing her and her heavy breasts into the ass of her gay lover, still inside her ass and breathing heavily. Finally, you finish cumming, and after a moment to settle down, you pull your semi-erect cum-coated cock out of her asshole, a whole river of baby gravy flowing out of her ass and down the harness.
Three out of four sentences start with "You" or "Your" - and it gets worse when you look at the whole chapter, because five out of the six paragraphs start with "You." Even granted that this story is told in the second person, and a sex scene, you might want to mix it up more. A lot of it is pretty easy to re-write (if you're so inclined); the difference is putting the emphasis on a different subject. So for example, using the snippet of text above:
Her ass fills with quite possibly the biggest load you've blown since the end of that fortnight you had once went without masturbating as a teenager. Pushing deep inside you cream and cream her insides, coating her ass with what seems to be a liter of sticky cum. Finally you collapse into her, pushing her and her heavy breasts into the ass of her gay lover, still inside her ass and breathing heavily. By the time you finish cumming your balls ache, utterly spent, and after a moment to settle down, you pull your semi-erect cum-coated cock out of her asshole, a whole river of baby gravy flowing out of her ass and down the harness.
The sex scenes themselves are workable. I like it when you take more time to set up the scene, to describe positions, feelings, unusual situations.
Time Control for example has a number of remarkable scenarios set up, but you don't always take strong advantage of them.
Try Some Dick for example, could have gone a couple of different ways (and might in the future) - but it's a little light on details. You have this section for example:
You disregard all nervousness or doubt you had before, and get down on your knees in front of Sam, his big cock mere inches from your face. Your mouth is open, both of your cocks are straining hard, and you're ready for more. You squeeze his cock from base to tip, causing a glob of precum to come out of his dick head. You lean forward, and lick it, filling your mouth with a semi-salty taste you've had the pleasure of trying before in your own masturbatory experiences in the past. You lean forward once again, and engulf Sam's big uncut member in your mouth, taking in the head.
You move your head back and forth, gliding and wiggling your tongue on the underside of his cock. You do this for a while, still jerking your own hard cock. Finally, after getting used to his size, you move more of this amazing cockmeat into your mouth, almost taking the entire thing into your throat. You're basically fucking your face into his cock at this point, loving the taste and feel of a dick in your mouth.
Now, your normal person might not go straight to sucking dick, and there's a lot of room for emotional vacillation here - "No one will ever know" versus "Burning curiosity," that kind of thing - but that's a matter of taste and plotting. More directly, there's not a lot of description about what sucking a time-frozen dick is actually like. Is it warm? What does it smell and taste like? You can't feel the pulse, probably, but does it have any give to it at all, or is it like fellating an iron bar?
That's not to say that you have to figure out all the rules of time-stopping in advance, or even that the rules have to remain consistent throughout the story - the trick is that for suspension of disbelief to work, you need to establish the rules
and then abide by them from that point on.
The key to a good sex scene is generally a solid build up that leads to some kind of payoff - usually but not always a climax - and a lot of the sexual encounters in your stories so far seem to be almost perfunctory. That's not always the case (and some folks like wham-bham-thank-you-sir-or-madame);
Fuck Her Right There (pussy) is a nice example of a solid one-and-done scene with decent length and detail - but that doesn't seem to be usual.
And as long as we're on that scene in particular:
You move back, just enough to readjust your cock and line up with her delectable pussy. It's dripping wet, something you didn't expect. "Like that, don't you?" you ask, rubbing your cock up and down her slit. "No! Bastard!" she yells, a lot quieter than last time. "Don't lie to me, girl, you're so desperate for this big dick that you're dripping on the floor.". She says nothing this time.
This is me being a little nitpicky, but the dialogue in this scene is a bit of a mess. If you break it out a bit more, it's a lot easier to read:
You move back, just enough to readjust your cock and line up with her delectable pussy. It's dripping wet, something you didn't expect.
"Like that, don't you?" you ask, rubbing your cock up and down her slit.
"No! Bastard!" she yells, a lot quieter than last time.
"Don't lie to me, girl, you're so desperate for this big dick that you're dripping on the floor."
She says nothing this time.
Which maybe doesn't cover everything, but might give you an idea on points for improvement. I'd like to reiterate that I love the amount of work you've put into the stories already, and hope you'll be able to spend more time continuing to develop them.[/url]