As I mentioned, I tend to do comics, and those have little to no description, they are all action and dialog, which is the other end of the spectrum.
Comics are more like pictures than they are like prose, imo, so I agree. The point of pictures and comics is that you can look at them, so there's very little need for descriptions: the words (mostly dialogue) connect the pictures, the pictures don't connect the words.
"Short haired voluptuous blonde MILF wearing glasses and business attire" is pretty much all the description I would use for her.
I phrased my previous post very poorly. I didn't mean to say that a description should necessarily be short like this. What I meant to say was that a description should never be
just a description. By going as terse as "hair, body type, 2 items of clothing", the text can't really do anything else.
Here's an example of something like I'd actually advocate:
Mary's employees often gossiped about her behind her back, but as she strode by few (man
or woman) could resist staring longingly at her voluptuous ass, held firm in a tight, dark gray pencil skirt, and at her lush blonde hair fluttering behind her. She made a bee-line to Steve's deskher heels clacking on the hard wooden floor. She came to a halt and crossed her arms. Her hard gray eyes pierced into him, focused by a pair of rimless glasses.
"Have you finally finished that report?"
I won't pretend this is high literature, but I think this does a better job of setting the scene exactly
because it isn't just a list of properties. We learn that her underlings do not particularly like her (they gossip about her). We learn she's confident ("strode", "hard eyes", demanding tone). She's probably aware of their dislike, but her behaviour is still clearly imperious, so it doesn't seem like she cares what people think about her. She might carry some mental baggage in that area, too, though that's only hinted at here. As for her physical description, pencil skirt is code for business clothes, but it's more specific, and with a sexy undertone, and the heels help with that too. And she's a blonde with gray eyes. Uh, that doesn't really have a deeper meaning, but I needed to mention
something.
What we don't learn is how old she is or if she has any children, and that's intentional. Readers don't need to know that at this point. You shouldn't mention it until it becomes relevant. That can be as soon as next paragraph, or as late as 3 chapters in, depending on the needs of the story. Don't front-load your story.